In version 6.4, we have paid particular attention to optimising the software’s overall performance. Furthermore, we have optimised the internal mappings, which are now more efficient. These optimisations are designed to improve the user experience on older or less powerful machines. This version includes a significant number of new features, reflecting our ongoing commitment to making the software easier to use. We are also working to make it easier and
Logelloop 6 Training – Octobre & Décembre 2026

Logelloop 6 training – Beginner and advanced levels – 14–16 Octobre and 30 November–2 December 2026 The training program will be divided into two distinct phases. The initial phase will introduce participants to the fundamental functionalities of the software. The subsequent phase will delve deeper into the acquired knowledge. This course caters to musicians seeking to incorporate effects into their performances, sound designers aspiring to create novel sounds, sound engineers
Introducing the Midi Mapper

Logelloop 6.3.8 introduced Midi Mapper, a data plug-in dedicated to controlling Logelloop interfaces using external Midi devices. This new system is set to replace the old system, which will remain in place for some time. However, we encourage all Logelloop users to quickly transition to the new system. You can have multiple Midi Mappers in the same project, the only limitation being that you need a different Midi Mapper for
Logelloop 6.2 : the beginning of a new era.
Philippe Ollivier’s lecture-concert on Sunday March 30 at Techinn’ Vitré

Tech Inn Vitré is a gathering of makers. You’ll be able to discover a lot of work, most of it done by passionate enthusiasts. Philippe Ollivier will be on hand to demonstrate the new features of Logelloop 6.2, soon to be released. The presentation will conclude with a concert spatialised over 14 loudspeakers.
Logelloop is on stage with the Albatros Social Club

In 2024, Christophe Rocher and the Nautilis Ensemble created L’Albatros Social Club, a great musical, human and crazy project. Amateur musicians with disabilities and musicians from the Nautilis Ensemble fly off to a free world, where the orchestra is the means to dream and dance in your head. Logelloop is on board, and we were delighted, along with Guillaume Tahon (on stage during the concerts), to program tailor-made tools to
Marthe Vassallo plays sings “Our Bedtime Near” with Logelloop

For her first live-looping creation, Marthe Vassallo – one of the most recognised and unpredictable voices on the Breton scene – puts a Lewis Carroll poem into dialogue with a few nuggets from oral tradition. The Devil quarrels with the Good Lord over a potato harvest, the birds refuse to fetch the youths that have fled, little Alice has grown up… And in the course of what the singer herself
Max Tides 2024 at Logelloù

Logelloù – Centre de création musicale In Brittany, France, is organizing three days of meetings devoted to Max software. The Logelloop development team is a partner in the organization of Max Tides 2024. These days are dedicated to musicians, researchers, teachers, engineers and Max users. Over the three days, you’ll be able to attend lectures, workshops, indoor and outdoor concerts and performances, sound and visual installations, round-table discussions and more.
Logelloop 6 training course – October 2024

Logelloop 6 course – beginner and advanced levels from 14 to 18 October 2024. The course is aimed at musicians who want to launch effects, sound designers who want to create new sounds, sound engineers who want to use Logelloop to create or conduct shows, and music teachers who want to use the software for teaching purposes (applying effects in real time, being able to record and listen to yourself
Call for electroacoustic work with Logelloop – 2024

In 2024, the Logelloù will celebrate the 20th anniversary of the first public use of Logelloop. Logelloù is therefore directing this year’s call to the composition of a real-time electroacoustic piece using Logelloop software. The idea is to compose a piece with Logelloop lasting a minimum of 15 to 20 minutes, and perform it as a solo, duo, trio or quartet, with musicians playing monophonic or polyphonic acoustic instruments.

